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BOOK ONE£º FROM EMERSON TO THOREAU
I£® IN THE OPTATIVE MOOD 3
1£® Consciousness 5
2£® Eloquence 14
3£® Expression 24
4£® The Word One with the Thing 30
5£® ¡®The light of the body is the eye¡¯ 44
6£® A Few Herbs and Apples 55
7£® The Flowing 64
8£® Self-Portrait of Saadi 71
II£® THE ACTUAL GLORY 76
1£® Expected Unexpectedness 76
2£® What Music Shall We Have? 83
3£® Thinking in Images 92
III£® THE METAPHYSICAL STRAIN 100
1£® Man Thinking 100
2£® The Mingling of Walden and Ganges 113
3£® Ishmael's Loom of Time 119
IV£® THE ORGANIC PRINCIPLE 133
1£® From Coleridge to Emerson 133
2£® Horatio Greenough 140
3£® Thoreau 153
4£® New England Landscapes 157
5£® Walden£º Craftsmanship vs£® Technique 166

BOOK TWO£º HAWTHORNE
V£® THE VISION OF EVIL 179
VI£® PROBLEM OF THE ARTIST AS NEW ENGLANDER 192
1£® Starting Point 192
2£® The First Tales 202
3£® ¡®To open an intercourse with the world¡¯ 219
4£® The Haunted Mind 229
VII£® ALLEGORY AND SYMBOLISM 242
Theory 242
1£® The American Bias and Background 242
2£® The Imagination as Mirror 253
3£® The Crucial Definition of Romance 264
Practice 271
1£® The Scarlet Letter 275
2£® From ¡®Young Goodman Brown¡¯ to ¡®The Whiteness of the Whale¡¯ 282
3£® Hawthorne and James 292
4£® Hawthorne and Milton 305
Coda 313
VIII£® A DARK NECESSITY 316
1£® Hawthorne's Politics£¬ with the Economic Structure of The Seven Gables 316
2£® Hawthorne's Psychology£º The Acceptance of Good and Evil 337
3£® From Hawthorne to James to Eliot 351

BOOK THREE£º MELVILLE
IX£® MOMENT OF TRANSITION 371
1£® ¡®Out of unhandselled savage nature¡¯ 371
2£® Mardi£º A Source-Book for Plenitude 377
3£® Autobiography and Art 390
X£® THE REVENGER'S TRAGEDY 396
1£® The Economic Factor 396
2£® ¡®The world's a ship on its passage out¡¯ 402
3£® Structure 409
4£® ¡®A bold and nervous lofty language¡¯ 421
5£® The Matching of the<