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AcknowledgementsChronologyAbbreviationsIntroductionChapter One Common Origin and Early Wandering¢ñ. From Midwest and the Common Folk¢ò. A Hobo in the West¢ó. Wanderer-Jailbirds Throes£º Predawn Darkness of a PoetChapter Two Socialistic Tendency¢ñ. Sandburgs Socialism Concept¢ò. \"An Ardent Socialist\"¢ó. Advocator of DemocracyChapter Three The People, Yes,and \"Yes\" What? ¢ñ.\"Who and What Are the People?\"¢ò. Universalism£º His Guide to Universal People¢ó. Chicago Poems¢ô. Cornhuskers¢õ. Smoke and Steel¢ö. Slabs of Sunburnt West¢÷. The People, Yes¢ø. \"Yes\" What? Chapter Four The Popular Poetics on the Basis of the Commons¢ñ. His Poetic Theory and Social Function of Poetry¢ò. The People as the Foundation Stone¢ó. The Realistic Poet and His Circular Development¢ô. \"Sense of Nativeness\" in Grain¢õ. Common Subjects with Great Passion¢ö. Heritage from Walt Whitman¢÷. Unique Poetic Style¢ø. Musicality in Sandburgs PoetryChapter Five The Saudburg Range and His Influence¢ñ. The Minstrel¢ò. \"Mr.Song-Bugs Sand-bang\" £º The American Songbag¢ó. Obliging the Young¢ô. His Influence on Modern Poetry¢õ. Among the PeopleConclusion¢ñ. \"Tradition Is a Bottomless Hole£¡\"¢ò. Yes£¡ The Peoples Poet, the Popular PoeticsBibliographyºó¼Ç