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**Õ ºÓÄÏÌÕ´É·¢Õ¹¸ÅÊö Ò»¡¢·¢Õ¹ÀúÊ· ¶þ¡¢·¢Õ¹ÏÖ×´Chapter 1 Overview of Ceramic Development in Henan I. History II. The Status QuoµÚ¶þÕ ºÓÄÏÖ÷ÒªÒ¤¿Ú¼°¾­µä×÷Æ· Ò»¡¢Â³É½¶ÎµêÒ¤¼°ÆäµäÐÍ×÷Æ· ¶þ¡¢¹®Òå»ÆÒ±Ò¤¼°ÆäµäÐÍ×÷Æ· Èý¡¢¾ûÒ¤¼°ÆäµäÐÍ×÷Æ· ËÄ¡¢ÈêÒ¤¼°ÆäµäÐÍ×÷Æ· Îå¡¢¹ÙÒ¤¼°ÆäµäÐÍ×÷Æ· Áù¡¢ÐÞÎäµ±ÑôÓøÒ¤¼°ÆäµäÐÍ×÷Æ· Æß¡¢µÇ·âÇúºÓÒ¤¼°ÆäµäÐÍ×÷Æ· °Ë¡¢ÓíÖÝ°Ç´åÒ¤¼°ÆäµäÐÍ×÷Æ· ¾Å¡¢ÆäËûÒ¤¿Ú¼°ÆäµäÐÍ×÷Æ·Chapter 2 Main Kilns in Henan and Their Typical Works I. Duandian Kiln in Lushan County and Its Typical Works II. Huangye Kiln in Gongyi City and Its Typical Works III. Jun Kiln and Its Typical Works IV. Ru Kiln and Its Typical Works V. Court Kiln and Its Typical Works VI. Dangyangyu Kiln in Xiuwu County and Its Typical WorksVII. Quhe Kiln in Dengfeng City and Its Typical Works VIII. Bacun Kiln in Yuzhou City and Its Typical Works IX. Other Kilns and Their Typical WorksµÚÈýÕ ºÓÄϵ±´úÌմɹ¤ÒÕ´óʦ¼°Æä´ú±íÐÔ×÷Æ· Ò»¡¢ÎèÑô¼ÖºþÌÕ¹¤ÒÕ´óʦ¼°Æä×÷Æ· ¶þ¡¢ÇßÑôºÚÌÕ¹¤ÒÕ´óʦ¼°Æä×÷Æ· Èý¡¢»¨ÓԴɹ¤ÒÕ´óʦ¼°Æä×÷Æ· ËÄ¡¢Èý²Ê¹¤ÒÕ´óʦ¼°Æä×÷Æ· Îå¡¢Èê´É¹¤ÒÕ´óʦ¼°Æä×÷Æ· Áù¡¢¾û´É¹¤ÒÕ´óʦ¼°Æä×÷Æ· Æß¡¢½ÊÌ¥´É¹¤ÒÕ´óʦ¼°Æä×÷Æ· °Ë¡¢ÕäÖéµØ»®»¨´É¹¤ÒÕ´óʦ¼°Æä×÷Æ· ¾Å¡¢¹Ù´É¹¤ÒÕ´óʦ¼°Æä×÷Æ·Chapter 3 Modern Porcelain Masters of Henan Province and Their Representative Works I. Porcelain Masters of Jiahu£¬Wuyang and Their Works II. Qinyang Black Pottery Masters and Their Representative Works III. Masters of Flower Glazed Porcelain and Their Works IV. Masters of Tri-colored Porcelain and Their Works V. Ru Porcelain Masters and Their Works VI. Masters of Jun Porcelain and Their Works VII. Masters of Twisted Greenware Porcelain and Their Works VIII. Master of Porcelain with Engraved Flowers on the Bead-pattern Ground and His WorksIX. Master of Court Porcelain and Her WorksµÚËÄÕ ºÓÄÏÌÕ´ÉÎÄ»¯¶ÔÍâ½»Á÷Çé¿ö Ò»¡¢¹Å´úÀúʷʱÆڵĽ»Á÷¸Å¿ö ¶þ¡¢µ±´ú´ú±íÐÔ¶ÔÍâ½»Á÷»î¶¯ Èý¡¢ºÓÄÏÌմɵķ¢Õ¹Ô¸¾°Chapter 4 Exchange of Henan Ceramic Culture I. Exchange in Ancient Times