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Chapter One IntroductiontotheStudy
1£®1 Introduction
1£®2 Problem Statement£ºReality of China¡¯S Copyright Protection versustheExpectationsoftheUnitedStates
1£®3 westerrdGreco£®Roman Rhetorical Tradition
1£®4 U£®S£®CulturalValuesandBeliefs
1£®5 ChineseRhetoricalHeritage
1£®6 ChineseCulturalValuesandBeliefs
1£®7 Global Copyright Practice and the U£®S China Debate
1£®8 RhetoriC£ºA General Defmition and its Relatedness to the Project
1£®9 Rhetoric and the U£®S China Copyright Approaches£º Meta-Methods£®
1£®10 Conclusion

Chapter Two Methods
2£®1 Introduction
2£®2 Main Research Question and Sub-Questions
2£®3 Quantitative and Qualitative Methods versus Rhetorical Criticism
2£®4 Why Comparative Rhetorical Approach
2£®5 Cluster Analysis£º An Approach to Articulate the Author's Intention on the Audience
2£®6 Intercultural Rhetoric/Communication£º The Approach to Cultural Values and Beliefs as Well as Behaviors
2£®7 Marxist Criticism£º An Ideological Approach to the U£®S£®- China Conflicts over Copyright Practice
2£®8 Researcher Role
2£®9 Research Materials
2£®10 Conclusion

Chapter Three Rhetorical Tradtions and Western£¨U£®S£®£©/Chinese Legal £¨Copyright£© Approaches¡ª¡ªA Cluster Analysis
3£®1 Introduction
3£®2 Rule by Law or Rule by Man£º The Concept of Virtue/Ethos in Early Greco/Roman and Chinese Rhetorical Traditions-£®-
3£®3 Plato's Concept of Virtue in Protagoras
3£®4 Ethos as Human Character in Aristotle's On Rhetoric
3£®5 Cicero's Ideal Orator in De Oratore
3£®6 Chinese Rhetorical Tradition£º Confucianism and Daoism
3£®7 Western and Chinese Concept of Virtue/Ethos and its Potential Impact on U£®S£® and Chinese Legal £¨Copyright£© Approaches£º A Comparison and Contrast
3£®8 Conclusion

Chapter Four The Impact of Cultural Traditions on the U£®S£® and China Legal/Copyright Approaches¡ª¡ªthe Cultural Dimensions
4£®1 Introduction
4£®2£® U£®S£® Cultural Dimensions£º Cultural Values and Beliefs Revealed in the Declaration of Independence and the U£®S£® Constitution
4£®3 Universalism£¬ Individualism£¬ and Low Power Distance£º U£®S£® Cultural Dimensions and Values and Beliefs
4£®4 Chinese Cultural Dimensions£º Cultural Values and Beliefs Revealed in the Constitution of the People's Republic of China and Deng Xiaoping's Southern Tour Speeches
4£®5 Particularism£¬ Collectivism£¬ and High Power Distance£º Chinese Cultural Dimensions and Values and Beliefs
4£®6 Cultural Dimensions and Their Potential Impact on the U£®S£®-China Copyright Approaches£º A Comparison and Contrast
4£®7 Conclusion

Chapter Five The U£®S£® and Chinese Approaches to Copyright Practice¡ªAn Ideological Criticism
5£®1 Introduction
5£®2 Global Copyright Protection£º From Internationalization to Globalization
5£®3 The U£®S£®-China Copyright Conflicts£º The 1992 MOU and the 1995 U£®S£®-China IP Agreement
5£®4 The Ideology of the Conflict£º Implications for the U£® S£® and Chinese Copyright Approaches
5£®5 Conclusion

Chapter Six Discussions and Conclusions
6£®1 Introduction
6£®2 Summary of Research Results
6£®3 Conclusions
6£®4 Recommendations for the Discipline and Policy Makers
6£®5 Limitations of the Study
6£®6 Contributions
References