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Ä¿  ¼Table of ContentsÐòÑÔ£ºÎ÷·½µÄÖ±½ÓµçÓ°ÓëÖйúµÄ¼ÍʵÖ÷Òå.......................................Íõ³Ù£¨1£©Preface£ºWestern Direct Cinema and Chinese JishiismÉÏ  ±àPart OneÀíÂÛÊÓÒ°£º·´Ë¼Ö±½ÓµçÓ°Theoretical Perspectives£ºRethinking Direct Cinema“ÕâÖÖÖ÷¿Í¹ÛÖ®ÕùÈ«¶¼ÊǺú³¶”——¹ØÓÚÖ±½ÓµçÓ°µÄÁíÒ»ÖÖÐÞ´Ç.....................................Brian Winston£¨3£©“T his ObjectiveSubjective Stuff Is a Lot of Bullshit”£ºAn Alternative Rhetoric of Direct CinemaÖ±½ÓµçÓ°Ö®Íâ——°²¶«Äá°ÂÓë 70 Äê´úмͼƬ...............................Thomas Waugh£¨13£©Beyond Verite£ºEmile de Antonio and the New Documentary of the Seventies¼Í¼Ƭ¡¢ÏÖʵÖ÷ÒåºÍÅ®ÐÔµçÓ° ....................................... Eileen McGarry£¨34£©Documentary, Realism and Women’s Cinema Ö±½ÓµçÓ°ÖÐ×÷ΪһÖÖ·ç¸ñµÄÏÖʵÖ÷Òå——¶ÔӰƬ¡¶µ³ÄÚ³õÑ¡¡·µÄÅúÅÐÐÔ¿¼²ì ............................Jeanne Hall£¨49£©Realism as a Style in Cinema Verite£ºA Critical Analysis of Primary¼Íʵ²»ÊÇÕæʵ..............................................................................ÖÓ´óÄ꣨80£©Jishiism Is Not the TruthËزĵĺ¬ÒåÓëÖ±½ÓµçÓ°°ÔȨ............................................................Íõ³Ù£¨92£©The Meaning of Film Material and the Hegemony of Direct Cinema¹ØÓÚ·ÇÐé¹¹µÄÕæʵ .........................................................Michael Renov£¨106£©The Truth About NonFictionÏÖʵÖ÷Òå¡¢ÕÜѧºÍ¼Í¼Ƭ..................................................... Ian Aitken£¨120£©Realism, Philosophy and the Documentary FilmÏÂ  ±à Part Two ¸ö°¸Ñо¿£º¸¥À×µÂÀï¿Ë·»³Ë¹ÂüCase Studies£ºFrederick Wiseman»³Ë¹ÂüµÄ¼Í¼Ƭ——ÀíÂÛÓë½á¹¹ ............................................................. Bill Nichols£¨141£©Frederick Wiseman’s Documentaries£ºTheory and Structure³ÖÉãÓ°»úµÄ»³Ë¹Âü .........................................................Barry K. Grant£¨167£©The Man with a Movie Camera»³Ë¹Âü IDFA ̸×Ô¼º 50 ÄêµÄ´´×÷·½·¨ ...............................Damon Wise £¨209£©Wiseman’s Talking about His Fifty Years Filmmaking Methods at IDFAÄá¿Ë·¸¥Ìزɷû³Ë¹Âü——¡¶¶¯ÎïÔ°¡·¡¢Ó°Æ¬´´×÷ºÍÉç»á±ä¸ï.............................. Nick Forte £¨214£©Ni ck Forte’s Interview with Wiseman£ºDiscusses Zoo, Filmmaking and Social ChangeÂÞÒÁ·ÁÐÎIJɷû³Ë¹Âü .................................................... G. Roy Levin£¨217£©G. Roy Levin’s Interview with Wiseman“ÃÕÖÐÃÕÖ®ÃÕ”——»³Ë¹ÂüÓ빫¹²µçÊÓ ...............................................Brian Winston£¨234£©“A Riddle Wrapped in a Mystery Inside an Enigma”£ºWiseman and Public TelevisionÂÛ“»³Ë¹ÂüÉñ»°”——¶ÔÖйú 90 Äê´ú¼Í¼ƬʷµÄÖØʶ .........................................Íõ³Ù£¨260£©On “Wiseman Myth”£ºA Restoration of the Nineties Chinese Documentary History